Processed Turunç Harbour Cicadas (5:34)

TIMEBOX 1

Location: BANK A

DRY, Pad 1: Dry

WHISTLE, Pad 2: Resample, Dry + Pitch -12 

CRUNCH, Pad 3: Resample, Cloud delay 100% with pitch -12

CICADA TONE, Pad 5,6,7: Resample, with 4 stacked SX reverbs 

Notes:

• Program to write notes of what changes you make to a sample for the SP-404?

• Is there any software which hacks the 404 to do more with it? Can you write some?

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TIMEBOX 2

Location: BANK B

BITCRUSHED OCTAVES: Pad 1-9: Pitched via DJFX Looper at 50% and 75% 

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TIMEBOX 3

Location: BANK C

Resample: Lead Mid range sound with tail of Cicadas

PHASER FX CHORDS

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PLAY ARRANGE COMPOSE

TIMEBOX 4

Intention:

I will experiment with the combination of these so far and then see if there are any other variations of chords to add

Outcome:

1. Recorded a loop of the CICADA TONES with an intermitent CRUNCH

2. Set a free 64 bar pattern to pad 2 (no metronome, no count in, no quantize)

3. Recorded in the CICADA TONES loop and gradually introduced the BITCRUSHED OCTAVES

4. In a copyed track I overdubbed this pattern with the PHASER FX CHORDS in BANK C

5. Bounced into ableton and filed under the PLAY ARRANGE COMPOSE folder under Leon’s Practice

Notes:

• An unexpected connection was when the BITCRUSHED OCTAVES came in syncopated with the chords

• You could experiment with restricting yourself to these chords and creating a different mood

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TIMEBOX 5

Intention:

I will experiment with different pattern of chords with more space.

EXPERIMENT WITH SKIPBACK TO IMPROVISE WITH AUDIO IN A CONTINUOUS MANNER